Teresa Berganza Cause Of Death, Obituary Not Yet Available – Teresa Berganza’s death leaves an enormous vacuum in opera history. Few people could teach you as much as you could on how to keep your art’s dignity. For its own thing, it’s as amusing and surprising as it is rigorous and serious. She was a sharp observer of time, with a realistic radar into the past and a keen eye for the future.
According to elpais.com, she was always modern and castiza. She was a young lady who knew how to defend and control herself in postwar Europe, and she quickly adapted cosmopolitanism with a successful worldwide career without abandoning a distinctively Madrid perspective on life. She ate the world quickly after being born on San Isidro Street.
He was well-prepared. Completely forming Piano, harmony, chamber music, composition, organ, and cello were among his studies. However, after passing through Lola Rodrguez Aragón’s school, he dedicated himself to singing. In his first recital in Madrid, he made an impression. Later successes included the Glyndebourne Festival in the United Kingdom and his debut with Maria Callas in a Medea a year later in Dallas (United States).
From there, he traveled to Vienna in 1959 with Karajan for The Marriage of Figaro, as well as with Giulini for a journey through the 17th and 18th centuries with Purcell, Haendel, and Monteverdi, which engaged him at the start of the 1960s. She moved on from Mozart and those baroque obstacles to bel canto with Alfredo Kraus and The Barber of Seville, before being welcomed by the Metropolitan and La Scala with The Marriage of Figaromozartianas and the aforementioned Rossini opera with Claudio Abbado.
The one who established her as an icon and expert in the wicked repertory of Pesaro’s inventor, despite her taking chances like appearing in a Don Giovanni montage created by filmmaker Joseph Losey and featuring Lorin Maazel in the pit. Berganza’s career began at that level, and it continued in the 1970s with milestones at Salzburg, Edinburgh, and the Lyceum, as well as collaborations with Karajan, Abbado, and Kubelik.
Those of a true figure who has learned to swim among the most traditional elements without fearing radical modernity. He continued to study and eventually became a teacher at the Reina Sofa School. She had experienced what it was like to learn from the greats and wanted to give back. In that sense, she was always grateful for what Maria Callas gave her through their friendship.
“She was incredible.” I believe what she saw in me was that I was not bad. She adored me and took me to all of the gatherings, where I sat on her lap. “She took me in.” Enough to plagiarize from her? ” Nothing to copy. Everything I learned, I learned. The greatest, after all, are the most humble. They aspired to be like me later on, but they didn’t come out looking like me. She stated, “There is no equal artist.”